17 738 безплатни аудиофайлове за "Audio Files Of Sonatas By Wolfgang Amadeus Mozart"

1939 recording of Aleksander Läte's Ärka üles, isamaa. Estonia muusikaosakonna segakoor.

1939 recording of Aleksander Läte's Kiigelaul. Elsa Maasik (voice) and Olav Roots (piano).

sound sample from Symphony Fantastique, Berlioz

Final de la Symphonie N°1 de Louis Vierne - Cathédrale de Monaco 2004

Valse les sirènes (op. 154) (1878) d’Émile Waldteufel

minuit chretiens by Adolphe Adam "O Holy Night" ("Cantique de Noël") is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem "Minuit, chrétiens" (Midnight, Christians) by a wine merchant and poet, Placide Cappeau (1808–1877).

эта рабочая запись, сделана для репетиций балетного номера, из зала во время ген.репетиции с оркестром. Необходима для статьи ru:Корсар (балет). Спасибо "Danse des Forbans" (Dance of the Pirates), music by Cesare Pugni from Marius Petipa’s 1868 revival of “Le Corsaire”. See Naughtin, Matthew. Ballet Music: A Handbook, p. 188 (Rowman & Littlefield 2014). Recording made for ballet rehearsal.Cesare Pugni.Danse des Forbans (Danse des pirates), musique de tirée de la reprise du Corsaire par Marius Petipa en 1868. Voir Naughtin, Matthew. Ballet Music: A HandbookBallet Music : A Handbook, p. 188 (Rowman & Littlefield 2014). Enregistrement réalisé pour la répétition du ballet.

Tchaikovsky Symphony No.3 in D major IV. Scherzo Allegro vivo (Tchaikovsky) European Archive

P.I. Tchaikovsky Symphony No.4 in F minor Op.36 III. Scherzo (Tchaikovsky) European Archive

A restored version of "E Scherzo Od E Folia" (track 37) here

Català: Partitura inèdita d'Enric Granados dedicata a Issac Albèniz. Font: Museu d'Art de Girona Score by Enrique Granados dedicated to Issac Albeniz. Source: Girona Art Museum. Granados wrote, "A mi queridísimo Isaac" which translates as "To my beloved Isaac"

The opening bars of the scherzo from Beethoven's ninth symphony

Rumores de la Caleta Op 71 by Isaac Albéniz

Suite espanola op. 47 - leyenda

Scherzo h-moll op. 20 Fryderyka Chopina. Scherzo no. 1 in B minor, Op. 20 by Frederic Chopin.

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A Bull of Heaven musical piece.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Speech sampled in the piece comes from Peter Brook's 1979 film adaptation of G.I. Gurdjieff's book Meetings with Remarkable Men.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

A Bull of Heaven musical piece.

Death, Percy Bysshe Shelley "First our pleasures die--and then Our hopes, and then our fears--and when These are dead, the debt is due, Dust claims dust -- and we die too."

At the Mountains of Madness, H. P. Lovecraft "Another race - a land race of beings shaped like octopi and probably corresponding to fabulous pre-human spawn of Cthulhu - soon began filtering down from cosmic infinity and precipitated a monstrous war which for a time drove the Old Ones wholly back to the sea - a colossal blow in view of the increasing land settlements."

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The title comes from a speech given by Prabhupada Bhaktivedanta, which is also the speech sampled in the piece.

A Bull of Heaven musical piece.

Laus Deo, Sydney Dobell "'He is not dead, but sleepeth,' said the Priest, and smooth'd his brow. 'Sleepeth?' said she, looking up, and the sun rose in her face! 'He must be better than I thought, for the sleep is very sound.'"

A Bull of Heaven musical piece.

The Premature Burial, Edgar Allan Poe "In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within."

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Maurice Ravel: Gaspard de la Nuit - Scarbo